Dastak - Entertaining string of plays in Singapore

Applause first for the gargantuan efforts required to bring together this event.

Appreciate the explosive mix of professionals and amateur actors drawn from society making an explosive mix

The light and sound design was impressive. Really thoughtful there to put in the subtitles making it a bigger challenge to the actors and the person controlling it to ensure synchronized play

The concept is as helpful to the audiences as laudable it is for being a creative concept. A burst of 10+1 plays played out one after the other to a live audience is a challenging concept and a treat for the paying audiences.

It will be unfair to even start with anything but praise realising the enormous task of getting this mix of incredible talent drawn from people not essentially from the entertainment industry

Rayana and Veena were simply outstanding with their dialogues and emotion. Veena (who I have seen as an excellent dancer) , was fully into her character while Rayana recited reams of dialogue with the absolute ease of a professional. Any disturbing growls you may have heard during the performance were the sounds from the GI system desperately wanting the desserts being referred to.

KPSandhu and Namita lal were very impressive with their absolute intensity.

Jhamela did tickle with some fun moments aided by the irrepressible Aditya .

Kamli with its subject was naturally intense and overall with their actors above par

Expectedly the most pleasant one was the simple neat play by Gopal Dutt and Neelu Dogra. The acting is so effortless. It almost seemed like they did not need any rehearsals. Nothing less expected from them but there was a certain simplicity reminding you of Basu Chatterjee movies.

Blue diamond will remind you of Farooque Shaikh and Deepti Naval
Guru ka Brahman was intriguing and had the toughest expectation of impressing the audience with the opening act

Subin with his genial smiling face from Dhund catches your attention.

Icing on the cake - the 30 min dance drama Nukkad performed on the lawns like a street play and so beautifully designed with minimum props and yet making an entertaining impact. One could see scores of children who have perhaps forgotten the Panchatantra, glued . Masks with some really electrifying designs and creative classical music used by Ponamma to direct this unique act of animals left a great impression and audience left asking for more. Just wondering if performed under controlled focus lights, some jungle audio and audible dialogues could have helped scale this into a full fledged theatrical on the epic tales. This can actually be a mass booked play performed for kids in schools here.

The festival director Shalaka deserves to take a bow for stringing together years in a row, a festival of this scale and keeping the cultural and drama theatre going great guns by promoting new talent.
If you have not made your stop at the Goodman's Art centre yet, try out today unless of course they are sold out!

The next time stop is at Star Theatre I guess

Shaadi Pe AANA....Confused Hoke Jaana

Ever Imagined being on a horse cart which has horses attached on all the four sides trying to pull it in different directions. Each time a horse gets tired the other fresh ones pull the cart in a different direction. Conclusively you end up at the place you started. Find it awkwardly  ( Akwward mind you ) silly example this. Don’t blame me if you remember this when you exit the theatre after heeding the Zaroor pleas of Ratna. Speaking of Exit I almost exit I almost got up thrice towards the end assuming the end was in sight. But no Siree. It was not to be. The director had blank wall surprises in store. You know the blank wall types, those that face you when you exit the theatre.  Twisting and turning in all directions without an end in sight. Before it opens a mysterious door and let’s in the noise and bustle of the real world outside.

Nasty? No I am not being more so when I think Raj Kumar Rao is the best thing happening in recent times and for second time this week a surprise – a new face on the Hindi landscape ( well almost new if you ignore her disastrous intro movie) Kriti.

I think most of the movie going audience can now identify the gallis of the key towns in UP since most of the movies in a couple of years have been google mapping their stories in the intricate alleys. Is that Bad? Well not actually considering there is a lot of colour to exploit, male chauvinism still throbbing across the open surface of society but never hindering modern cigarette smoking women who lurk beneath the scared veneer and wait to escape like Kangana or Rani.

Rajkumar does not seem to have had a chance to leave the locales as he reprises his small town confident full of values and some beans character intent on hooking the love of his life. Dowry deals are done as a matter of fact. I sat up tense and tight hoping for a movie tackling the evil that still has Indian society in its clasp. There are no bad people here. All victims of circumstances, who have accepted and justified to themselves the usefulness of the wrong doing so as to keep themselves relevant on the food chain. Grab dowry from son to fund their daughter’s marriage. Sadly the director Ratna related to two directorial families does not even bother to justify the hero’s ignorance of this particular deed of his family while getting all hot and bothered about other values of love and trust in his life.

To cut the long chase short, a madly in love couple faces challenges in repeat cycles till you get exhausted and pray they never meet again.

I almost suspected the director at one point asked Rajkumar to play the good deed guy. He executes it beautifully. She then goes up to him and says oops sorry can  you be the bad guy…so he does it …Oops no you need to be the good guy. The distributor says so…So rajkumar being the expert that he is does it with elan with great support from a confused heroine who is happy being treated like a door mat that has for good measure feminism written all over it as she allows everyone to trample over her.

To be fair the director has an eye for drama and visuals and extracts excellent work from all characters around bringing fine nuances to even minor characters. Only she is not sure which direction the cart has to go. I ended up thoroughly confused and angry. Angry because I just could not bare to see the Rajkumar act and a lovely Kriti waste their efforts to finally do an ‘akkward ‘ dance at the end.

Govind Namdeo keeps going red and all hot. I almost feared he could have a cardiac arrest on the sets. Too intense man. Confident actors like a hiding behind her hubby Navni or a very natural Nayani dixit as Abhas sister stand out.

Rajkumar Rao owns the familiar territory though Kriti in her beautiful pink manages to hold her own in this twisting like a top in all directions enterprise.

Wish the director had stuck to Dowry and acted as a medicinal dose for the erratic society. Instead it ends up looking like it turned a blind eye to it and supports it.

Watch it if you liked all the recent Kanpur, Lucknow outings in the recent past and crave for home.

Try not to confused hoke wapas aana !

**1/2

Qarib Qarib Good

Movies these days have started featuring 'real women'

When you watch 'Qarib Qarib..' you sense a quantum relief to not to have watch boring heavily decked pancaked anorexic women pretending to be someone they are far removed from .

Parvathy in the company of Irfan is least worried about having to worry about her makeup or watch her weight:-) . Slow paced yet the two stars carry the movie forward with common intelligent banter. It is not impossible but difficult to believe that a simple dating site in india actually gets two people to set off on a journey while distrusting each other and being so unalike.

It was pleasant to watch a unkempt Irfan slipping those wry one liners while a perfectly unsure Parvathy tries to redeem her widowed lonely life while trying her best to remain occupied and shackled with boring errands.

]The pace is slow enough for you to want to peek into the neighbour's open mobile phone as he finishes urgent what's apps ( dude why do you come to the movies and why do I land up next to people who always want to read their mobile texts in the dark auditoriums :-))

Yet they are so real that you want to know what they do next

There are no surprises but am just loving some of these movies that refreshingly break Norm and tell simple stories and take you to Shillong in the north east instead of the beaten to death tourist places like Kashmir

***